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Carousel [VHS] [1956]

Carousel [VHS] [1956]Director: Henry King
Actors: Gordon MacRae, Shirley Jones, Cameron Mitchell, Barbara Ruick, Claramae Turner
Studio: Fox
Category: Video

List Price: £5.99
Buy New: £3.94
as of 8/2/2012 10:31 EST details
You Save: £2.05 (34%)

In Stock


New (10) Used (23) Collectible (5) from £0.01

Seller: The_Perfect_Used_Book_Store
Sales Rank: 2,549

Language: English (Original Language)
Rating: Universal, suitable for all
Media: VHS Tape
Discs: 1
Number Of Items: 1
Running Time: 128 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

EAN: 5013037742435
ASIN: B00004CKJV

Release Date: March 8, 2004
Availability: Usually dispatched within 1-2 business days

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Editorial Reviews:

Amazon.co.uk Review
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death.

Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers' most affecting, from the glorious instrumental "Carousel Waltz" to a succession of exquisite love songs ("If I Loved You"), a heart-rending secular hymn ("You'll Never Walk Alone"), and the expectant father's poignant reverie, "Soliloquy". Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It's Billy's impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. --Sam Sutherland, Amazon.com


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